Music can be divided into two schools of thinking: classical and jazz; if we look closely at the type of harmonic progressions used in jazz we will discover that they are largely blues based progressions, most guitar players are familiar with the basic blues progressions however not many progress too deeply into the more sophisticated blues generally because they don’t know where to start.
I’ll concentrate on the standard twelve bar format for today’s article but don’t forget to do some research into the eight, sixteen and twenty-four bar forms of the blues.
All progressions will be presented in the key of C.
Let’s start with a simple twelve bar blues so we can us it as a reference template for more complex progressions.
Progression #1
C /// | C /// | C /// | C /// |
F /// | F /// | C /// | C /// |
G7 ///| G7/// | C /// | G7/// || C (last time)
In our first progression notice the ‘F’ chord in bar five; the ‘C’ chord in bar seven and the ‘G7; chord in bar ten. Read the rest of this entry »

